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In a year where seemingly every producer gravitated towards conservative, indistinguishable house music, LA producer Don Froth, has offered a rudeness and weirdness that feels thoroughly refreshing. His releases haven’t exactly come thick and fast – a few remixes, a couple of tracks for West Norwood Cassette Library, the gigantic ’10,000 CC’ on Phonica White and some bits and pieces on his own recordings, Froth’n, are all that he has put his name to thus far. It’s this quality control that assures that everything put out under the Don Froth name is worth paying attention to.

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